The ones you already have — your listing, your website, your camera roll. One is enough to start.
Each photo becomes a cinematic move — a push, a drift, an orbit. Only where your photos already looked. Then every frame is verified by Groundtruth.
A polished video in every format your marketing needs — widescreen, vertical for Reels and TikTok, and a fifteen-second cut for paid ads.
One photograph is a shot. Each card below opens on a real source photo — press it to watch the shot that photo became, then watch it settle back onto the same still. Nothing enters the frame that wasn't already in the photo.
One aerial still. The camera slides; the roofline, the treeline and the lot stay exactly where the photo put them.
One interior still. The move stops at the walls the photo showed — nothing past the doorway is invented.
One interior still, wide. Wide photos carry the most motion, which is the only real requirement.
Photographs of a house, a storefront, a dining room, a product on a table — the rule is the same for all of them, and so is the ceiling: the more good photos you send, the longer the finished video runs.
Every project ships a 9:16 version framed for Reels and TikTok — where your customers already scroll. Open any one to see exactly which photo became which move.
Groundtruth record
Broken Bow, Oklahoma
Photo → move
No shot reveals geometry its source photo didn't already show. That rule is what the record above is for.
Groundtruth record
Hochatown, Oklahoma
Photo → move
No shot reveals geometry its source photo didn't already show. That rule is what the record above is for.
Groundtruth record
Broken Bow, Oklahoma
Photo → move
No shot reveals geometry its source photo didn't already show. That rule is what the record above is for.
Groundtruth record
Blue Ridge, Georgia
Photo → move
No shot reveals geometry its source photo didn't already show. That rule is what the record above is for.
Groundtruth is our own review step. Frames from the finished shot are matched back to the photograph they came from and every pixel is sorted into one of three buckets: it traces to the photo, it lies beyond what the photo covered, or the model altered something it could plainly see. Shots that don't hold up get rebuilt, not shipped.
You get the numbers rather than a badge. True to the source, and here is the working.
You get a finished master and the cuts that suit where you're actually posting it. We'll tell you which ones your photos support before anything is made.
Runtime is set by your photos, not by a package. Each usable photo becomes about five seconds of motion, so six good ones make the full thirty.
One property
$249 per video
A single subject, start to finish.
Three or more
$199 per video
Same work, batched. Most people land here.
Ten or more
$149 per video
Agencies, photographers, management portfolios.
Included at every price
Tell us where the video is going and it's built in that shape from the start. Widescreen and vertical are generated in their own frame, never cropped out of one another — a centre-crop of a widescreen aerial throws away the lot, the treeline and the water, which is the reason the shot existed.
A per-shot record of what the finished frames were checked against: which photograph the shot came from, which camera move it became, how much of each frame traces back to that photograph, and how much the model altered.
You get it with the files. It is the same record shown on the vertical cuts above — open any one of them to read a real example. More on how the check works.
Start here
Send whatever you already have — a listing, a website, or a folder of photos.